Obviously the focus up to this point has been on macro. However, landscape photography is an essential ingredient for setting the scene and creating context for many macro photos. If you do decide to publish, many editors like to see a landscape photo which sets the scene and can provide background information on where such marvels creatures can be found. Even when they don’t specifically ask, I have found that offering up such a contribution still works in one’s favour. When taken from remote jungle, or high mountaintops it can show the efforts that went into a photo in a way that a caption like “deep jungle” simply fails to do.
I find it to be especially important in chronicling my tales of misfortune in my adventure blogging. Keep in mind though that books have been written on the subject and to be perfectly honest, it’s not by area of expertise, so take what I say within the context of macro photography and documenting the travails of trekking across the globe rather than a how-to guide for flawless landscape photography.
Landscape photographers go on about the golden hours, sunrise and sunset. Undoubtedly these hours are important and indeed transformative in some cases. However, the rest of the day should not be neglected. The key to an engaging photo to my mind is atmosphere. Fog, mist, clouds, contrast, rain, snow, all these elements add interest to a photo and should be pursued rather than avoided.
It was just about the start of the rainy season and I’d just come from a miserably wet bogland (Read full story HERE). The rainclouds constantly threatened and I was reluctant to offer up my camera gear as another sacrifice. However, between the option of staying in and nursing leech bites and going on a trek to find the beautiful and endemic ‘doughnut pitcher plant’, Nepenthes aristolochioides, (It’s much more beautiful than it sounds) I opted for the latter. Danau gunung tujuh or 7 mountains lake is only a short 3 hr hike from the nearest village and is the site of these wonderful carnivorous plants. Clouds rolled overtop of the lake and mountains and brief spats of rain interrupted my 2hr shoot with the plants, however I was more than justly recompensed for my gamble (Full story HERE).
One of my favourite landscape photos from my last trip to Indonesia was the shot below. I feel like I got most of the elements and balance right in this shot. Taken on Gunung Kerinci on the island of Sumatra. Kerinci is the 2nd highest climbable volcano in the area and attracts mountaineers from all over Indonesia. The climb itself is strenuous, though not overly so. Nevertheless summiting by sunrise still requires waking up at ungodly hours, braving the bracing cold, the shrieking wind and the icy rain. The view from the summit itself was choked with fog and I was most disappointed. However, while descending the mountain, the clouds parted briefly and I was able not only to get a partial view of landscape, but also to document the arduous climb upwards. I feel like the barren scree above the treeline, the roiling mists, the dark foreboding clouds, golden dawn, scenery and the dwarfed and almost insignificant climber combine together to make this a memorable photo. The climber is in the bottom right so as to emphasize the distance yet to climb, as well as show the steep angle of incline. I was fortuitous that the climber was wearing a poncho which whipped about with the wind and subtly gave more character to the shrill wind.
It can sometimes be daunting browsing through a photographer’s portfolio. Why would they ever put their failures up for all to see? In fact the reason is manifold. Not only do they wish to appear as professional as possible, but errors, the unpolished work might also give clues to their technique. After all, knowledge and experience is learning from one’s own failures, however; wisdom is learning from the failures of others.
I have often found the importance of documenting one’s failures alongside one’s successes. This not only acts as a kind of photographic journal, but can also be used for future reference should you find yourself in similar circumstances (not to mention that it’s a little humbling putting out your failures for all to see). Although I had initially planned on deleting all my pictures from the chocolate hills on the island of Bohol (Philippines), I decided that putting them on display and walking through my method and thought process might prove useful to others, despite the fact that there are few if any salvageable photos in the lot.
Nevertheless, the photos do demonstrate some principles borne of experience which are applicable to other scenarios. For example, knowledge of local practices like the burning of trash, agricultural clearing or nighttime fires common to many SE Asian settlements can create haze which can negatively impact photos. Research beforehand the most up to date information on the area you plan to visit since a pristine area may have undergone development since it was last publicly photographed/updated on Wikipedia.
Sometimes just as important as the location is the time, weather and other elements beyond the photographer’s control which can utterly transform a landscape. A good example of this is the chocolate hills, a tourist draw on the island of Bohol in the Philippines. I had seen pictures online and was immediately drawn in and made a special effort to get there. The online pictures had piqued my curiosity, however I didn’t see any that truly inspired me. Could I be the first to capture this magnificent landscape in a way it deserved?
However, upon my arrival I was quite disappointed. The reality of the place didn’t seem to match the photographs I’d seen. The ‘forest’ from the photographs which looked like it occupied the valleys in between the hills was in reality quite sparse and was more farmland than forest.
Late in the day haze from burning trash made sharp photos next to impossible and to cap it all off, the sun set not in front or behind the hills, but to the side behind farmland, making for a weaker composition.
The following day I woke up at 4AM and drove my scooter an hour along the potholed roads to reach the lookout point in time for sunrise. Unfortunately the sunrise too was in a poor location, at least relative to my position at the lookout.
I brought my 300mm lens to see if I could zoom in on the hills to avoid some of the obstructions and perhaps frame the hills so as to avoid the ugly farms. The result wasn’t to my liking, however it was still a worthwhile exercise, as experimenting with different lenses opens up many possibilities.
I wandered about the lookout hill and found a spot with the least number of obstructions and decided to shoot in a way to maximize shadows (to hide the farmlands and make it appear more wild, as it might have been decades ago) and appear more atmospheric, with the rising mists, rays of light and shadow outlines of the treetops and hills. The result are the below photographs which conceals more than they reveal but are beautiful all the same.
View from the top. Lookout points are natural magnets for the landscape photographer, especially in the rainforest where it can be difficult to see the forest for the trees. It is worth the extra effort to hike or summit that hill or mountain early in the morning to catch the dawn, just to enjoy if not to photograph. Early mornings in the rainforest often also produces a low lying mist due to transpiration. This can create a glow which lights up the entire horizon as the sun shines through it. During the day the mist is usually burned off and is only replenished in the cool evenings.
This aerial view of the wonderful Guyanan rainforest was taken from a small Cessna plane on the way back from Kaieteur falls. Sometimes by air, especially in remote areas that offer no chance of scaling mountains to achieve viewpoints, is the only choice for captivating scenic views. When traveling into or around a country with rainforest, always consider:
1) Taking a golden hours flight
2) Asking the pilot what the route will be (for smaller (and more flexible planes) there are sometimes alternate routes that can be taken or else the pilot will sometimes loop around a particular attraction so people can get a good view). Ask beforehand and they might accommodate you.
3) Bringing a camera aboard fitted with a polarizing filter to cut down on the reflections from the window.
Oftentimes one needs to get above the forest canopy to capture engaging photos. Unfortunately not all rainforests are so accommodating. When such is the case try dusk and dawn hours to catch sunlight streaming in through the forest canopy. This can make for enchanting photos. Note that there will be a great deal of contrast between the shadows at the forest floor and the brightness of the canopy and light rays. This would be a good job for HDR, though a single shot can still work, and sometimes the contrast is desirable, as below.
In cloud rainforest, high humidity and fog can pose problems with condensation on the lens and malfunctioning equipment. However, it can also provide opportunities for an atmospheric photo.
Waterfalls range from iconic and touristy to hidden and secretive. There are people that specialize in just this and so despite their beauty it can oftentimes be difficult to achieve a unique waterfall photo. Nevertheless, they are an important part of the landscape in rainforests and worthy of mention. Moreover, many insects, amphibians and reptiles can be found along the stream banks and in the cascading pools around a waterfall.
Kaieteur falls in Guyana is iconic and the largest (by volume), single drop (rather than tiered) waterfall in the world.
Rainforests can be dark places with little to distinguish one location from another. The forest can appear uniform and as a result there are few features to draw the viewer in. In these situations, a person, tent, or other focal point not normally found in such an environment can help generate interest. It is also helpful in the context of a narrative.
I will update this section with other landscape photos from future trips as well as any other tips or information that I come across that might be useful. If anyone has any suggestions or advice for landscape photography or how to improve this section you can either leave a comment or email me directly.